Cendrillon, Royal Opera
Updated: 2011-07-31 23:33:23
Words, stories, books — the gateway to a world of fantasy in which anything is possible.
Words, stories, books — the gateway to a world of fantasy in which anything is possible.
http://www.guardian.co.uk/music/2011/jul/21/sciarrino-luci-traditrici-tarandek-review
By 1825, as Rossini’s operatic vein was approaching exhaustion, the
Neapolitan Saverio Mercadante ranked as a front-runner for his succession
alongside Bellini and Donizetti; much more so, however, in the field of serious
drama than in opera buffa.
You would have had to be deaf and blind — or perhaps just a very wise
monkey — not to have been aware that a young American composer called
Nico Muhly was about to open at the English National Opera in London last night
with a work called Two Boys.
This Madama Butterfly at the Royal Opera House, London, brings out
the depth and intelligence of the human story Puccini might be trying to tell
us, beneath the surface gloss.
Athalia: Oratorio (sacred drama) in 3 acts
http://www.ft.com/intl/cms/s/2/7e811fda-a268-11e0-9760-00144feabdc0.html#axzz1QsjG4VyR
Luca Pisaroni is one of one the more exciting young bass-baritones of his
generation. In July 2011, he sings Argante in the first ever Handel Rinaldo at
the Glyndebourne Festival.
http://likelyimpossibilities.blogspot.com/2011/07/kata-kabanova-in-big-city.html
http://professional.wsj.com/article/SB10001424052702303661904576454450184575890.html?mod=WSJ_ArtsEnt_LifestyleArtEnt_4&mg=reno-secaucus-wsj
For classical music fans, summer means only one thing: summer festivals. The goal of these festivals is to showcase a wide range of repertory with thought provoking creativity.
This year’s venture for the annual Boston Midsummer Opera is an elegant reading of Rossini’s fizzy masterpiece of 1813, l’Italiana in Algeri.
http://www.smh.com.au/entertainment/music/soprano-regains-her-composer-20110701-1gut4.html
Opera Holland Park’s unique selling point has always been a devotion to the more obscure works of Puccini and his Italian contemporaries.
http://www.ft.com/intl/cms/s/2/440cf328-a96c-11e0-bcc2-00144feabdc0.html#axzz1Re23yQVP
http://latimesblogs.latimes.com/culturemonster/2011/07/placido-domingo-announces-operalia-winners-in-moscow.html
http://blog.cnycafemomus.com/2011/07/12/july-10-glimmerglass-festival-medea.aspx
http://www.therestisnoise.com/2011/07/did-tosca-survive.html
There’s hell to pay for profligate publicity; Giuseppe Verdi and Francisco Maria Piave knew this to be true.
Some of the experts said it was the best Ring ever, others merely
said it was one of the best (these were lecturers at a Wagner Society
symposium).
Rodelinda is about as serious an opera as any that Handel wrote: attempted regicide and infanticide, violent death, betrayal and a marriage sorely tried.
http://www.nytimes.com/2011/07/24/arts/music/richard-strauss-is-surprise-guest-at-bard-summerscape.html
http://www.nytimes.com/2011/07/03/arts/music/rossini-and-his-abrupt-farewell-to-opera.html
http://www.aspentimes.com/article/20110629/AE/110629822/1077&ParentProfile=1058
http://www.telegraph.co.uk/culture/music/opera/8645993/Tosca-Royal-Opera-HouseLa-Rondine-Opera-Holland-Park-review.html
The celebrated New Mexico opera festival has, in its fifty-fifth season, created a production of Charles Gounod’ 1859 masterpiece Faust, its first ever.
http://www.ft.com/intl/cms/s/2/0fa6d814-ab9d-11e0-8a64-00144feabdc0.html#axzz1SkUK6UTd
Not only did Verdi’s Requiem make its debut, rather remarkably, in the church of San Marco in Milan but the performance was as a liturgical one; Verdi’s intentions were quite firmly to provide a memorial mass for the Italian patriot, Manzoni.
http://blog.cnycafemomus.com/2011/07/17/july-16-glimmerglass-festival-annie-get-your-gun.aspx
In the modern operatic world, respect for the oeuvre of any given composer, as well as his stylistic development and placement in operatic history, is sacrosanct.
http://artsbeat.blogs.nytimes.com/2011/06/30/city-opera-players-provide-their-own-accompaniment-at-labor-protest/?ref=music
http://www.nytimes.com/2011/07/22/theater/master-classes-with-masters-like-raul-esparza.html
Happy late Birthday to American composer Peter Schickele, who was born July 17, 1935. A talented composer and educator, Schickele is also the creator of the famous fictional composer P.D.Q. Bach.
Schickele has composed scores of works for orchestra, choral groups, school bands, and movies and television. He's also worked with ...