Bérénice, Carnegie Hall
Updated: 2011-02-28 23:10:14
Albéric Magnard, inspired to abandon the law for music by a visit to Bayreuth in 1886, was wealthy enough to ignore the public and go off on his own to compose.
Albéric Magnard, inspired to abandon the law for music by a visit to Bayreuth in 1886, was wealthy enough to ignore the public and go off on his own to compose.
Carl Marie von Weber’s magical masterpiece has had a hard time of it in France.
A few years ago, a certain major newspaper boasted a music critic who could not bring himself either to take opera seriously or to deny himself the opportunity to review it.
In its current production of Giacomo Puccini’ La fanciulla del West Lyric Opera of Chicago celebrates the centenary of the first performances of the opera.
http://www.nytimes.com/2011/02/04/arts/music/04nixon.html
It’ a joy to watch an athlete finding her legs, especially when you
know she’l achieve her feat superbly, matchlessly, with supreme grace. I
first heard Sutherland sing I Puritani (three times) during the famous
Met run of 1976.
The 2010-2011 season for Minnesota Opera is steeped in Bel Canto
opera selections, starting with Rossini’ Cenerentola this fall, currently featuring Donizetti’ Maria Stuarda, and for the spring, a production of Verdi’ La Traviata with acclaimed Violetta, Elizabeth Futral.
http://www.ft.com/cms/s/2/edb250a8-2faf-11e0-834f-00144feabdc0.html#axzz1DEvs8DW6
Premiered in 2003, and aired again in 2005 and 2008, this current revival of David McVicar’ Die Zauberflöte brings many ‘ld hands’back together to re-visit oft-frequented roles on familiar ground.
The production of Jake Heggie’ Dead Man Walking currently on
stage at the Houston Grand Opera is marvelously celebratory in its success.
Yoav Gal, an Israeli-born composer-in-residence at the HERE arts complex in
Manhattan’ South Village, calls Mosheh a “VideOpera,” rightly giving as much place to what is seen (electronic projections) as to what is heard (from four sopranos playing the women in the prophet’ life and an orchestra of nine musicians).
The original story that formed the basis for the libretto of Puccini’
opera Turandot told of a Mongolian princess who insisted that any
prospective husband endeavor to win a wrestling match with her.
http://www.ft.com/cms/s/2/655b7032-33a5-11e0-b1ed-00144feabdc0.html#axzz1DUYjOWKN
If you are ever lucky enough to have the opportunity to catch a great exponent of just one of two major roles — the heroines or villains — in Offenbach’ Les Contes d’offmann, you should secure a seat maintenant.
http://www.ft.com/cms/s/2/083ea952-392f-11e0-97ca-00144feabdc0.html#axzz1EELHTOQJ
http://www.seattlepi.com/pop/434904_152899-blogcritics.org.html
This production retains a special place in my heart: its first outing in
1999 was my first Parsifal in the theatre. Saving up my student
pennies, I made the journey not once but twice from Cambridge to London, was
mightily impressed the first time and a little irritated the second.
http://www.nytimes.com/2011/02/26/arts/music/26lucia.html?_r=1&ref=music
Witty and airy as an after-dinner anecdote over biscuits and cognac, Don
Pasquale (1844) is, unlikely as it may seem, almost the last opera Donizetti
completed before his descent into the madness of tertiary syphilis.
Vladimir Jurowski and the London Philharmonic have repeated their success with Mahler’s Das klagende Lied at the Royal Festival Hall.
http://online.wsj.com/article/SB10001424052748703960804576120193043514446.html?mod=WSJ_ArtsEnt_LifestyleArtEnt_4
http://blog.cnycafemomus.com/2011/02/19/feb-12-met-simulcast-nixon-in-china.aspx
http://www.guardian.co.uk/music/2011/feb/10/strauss-orchestral-songs-review
The first performance of Thomas Arne’ masque Alfred took
place at Clivedon House on the Thames near Maidenhead, in August 1740.
http://www.walesonline.co.uk/showbiz-and-lifestyle/music-in-wales/2011/02/11/welsh-national-opera-s-new-production-die-fledermaus-91466-28151176/
http://www.straight.com/article-373684/vancouver/lyrical-love-aria
Gluck’ operas are part of a continuum, a tradition of French vocal
declamation (as opposed to the Italian school of flights of elegant,
open-throated vocal fantasy) that can be traced to him from Lully and Rameau,
and then from Gluck through certain works of Mozart and Gluck’ pupil,
Salieri to the operas of Spontini, Berlioz and Wagner.
In 2010, Florida Grand Opera held a gala to honor Robert Heuer on his 25th
anniversary as general director.
http://online.wsj.com/article/SB10001424052748704422204576130200961562830.html?mod=WSJ_Opinion_TOPRightCarousel_1
http://www.latimes.com/entertainment/news/la-ca-conversation-20110206,0,3161944.story
At the moment, it seems inevitable that John Adams’1987 opera Nixon in China will become a fixture in the repertoire.
http://www.philly.com/philly/entertainment/20110206_Opera_Company_of_Philadelphia_sets__Romeo_et_Juliette__in_modern_fashion_world.html
Preparing for the Met premier of Nixon in China, I resolved to
forget—or place on hold—everything I remembered, or thought I
remembered, about the real persons who are characters in this opera,
In the mid-nineteenth century, every nationality that did not possess a
national state felt a need to prove itself, to square its shoulders and claim
nationhood with all the identifying marks of a nation: a language with a
literature, a tricolor flag, a national anthem extolling the people’
stalwart character and the country’ landscape (inevitably the loveliest
in the world), a national theater and a national opera to be performed there.
http://latimesblogs.latimes.com/culturemonster/2011/02/opera-review-los-angeles-opera-turk-in-italy.html
http://www.guardian.co.uk/music/2011/feb/27/il-trovatore-opera-review
http://www.washingtonpost.com/wp-dyn/content/article/2011/02/19/AR2011021902540.html
William Grant Still (May 11, 1895 – December 3, 1978) was an African-American classical composer. He was the first African-American to conduct a major American symphony orchestra, the first to have a symphony of his own (his first symphony) performed by a leading orchestra, the first to have an opera ...
Utah Opera Artistic Director Christopher McBeth announced the Utah Opera’s complete 2011-12 season yesterday, featuring four dynamic works: a thematic opener, one of Verdi’s most enduring masterpieces, an Italian comedy, and a stunning adaptation of a classic American novel.
The season will open with Beethoven’s only opera, Fidelio, ...
It's always fun to watch the costumes take shape for each of the operas, and Little Women has been no different! Here's a peek at one of Amy's dresses when she's gone away to Europe:
Of course you've heard of Scott Joplin! Everyone knows his two most famous pieces: Maple Leaf Rag and The Entertainer.
Joplin was the self-proclaimed King of Ragtime, a musical form popular in America around the turn of the 20th century. Ragtime was a pairing of European classical music songs with the ...
How are the Sundance Film Festival and Utah Opera related? Well, we are both cool entertainment options in Utah. But the real way is, the Utah Opera scene shop gets busy every year building set pieces for Sundance's awards show! Here's this year's product:
Great job, guys!