Operatic Advice and Counsel…A Welcome New Reference Book
Updated: 2011-01-31 20:11:01
Vincent Giroud’ valuable new French Opera, a Short History, is in hand and very welcome it is.
Vincent Giroud’ valuable new French Opera, a Short History, is in hand and very welcome it is.
http://www.huffingtonpost.com/howard-kissel/the-mets-new-traviata_b_803233.html
http://www.ft.com/cms/s/2/6d922412-1cdf-11e0-8c86-00144feab49a.html#axzz1B32F4Jxp
Pelléas et Mélisande, Debussy’ impressionist drama closely
based on Maeterlinck’ eerie, symbolist play, is not a terribly vocal opera; it calls more for the subtlety of art song style than the belting of great divas and divos.
http://online.wsj.com/article/SB10001424052748703779704576073913819798464.html
They have been fiddling with Luc Bondy’ staging of Tosca. Scarpia doesn’ masturbate on the Madonna; he just sort of pinches her erotically.
http://www.opera.co.uk/view-review.php?reviewID=45
A recent addition to Valery Gergiev’s Mahler cycle with the London Symphony Orchestra, the SACD recording of the Third Symphony has much to recommend.
http://www.sacbee.com/2010/12/26/3278792/sf-opera-will-honor-911-hero-rescorla.html
http://www.ft.com/cms/s/2/40f5a2d0-1758-11e0-badd-00144feabdc0.html#axzz1A5Wd4iLB
http://blogs.telegraph.co.uk/culture/michaelwhite/100050093/forgotten-lully-opera-rediscovered-at-versailles-i-wish-i-could-say-it-was-worth-the-trip/
http://likelyimpossibilities.blogspot.com/2010/12/der-rosenkavalier-wie-du-warst-wie-du.html
It may have been five years since Susan Bullock last performed at the Wigmore Hall, as her prominence on the world operatic stage has taken her away from the recital hall, but she wasted no time getting into her stride in this charming and musically varied concert.
The dust on 65th Street is clearing up and the reviews for the renovated Lincoln Center for the Performing Arts are in — the piazza is being hailed as newly “inviting” by architects and arts critics alike, and rightly so.
Long-dormant operas sometimes rise to meet a new dawn only to then slink away like the creatures of the night they were doomed to be — seductive but dangerous to approach.
http://www.guardian.co.uk/music/2011/jan/02/anna-nicole-smith-the-opera-turnage-conrad
http://www.newscientist.com/blogs/culturelab/2010/12/musical-inventor-the-robotic-set-of-my-opera-emotes.html
Once a preserve of opulent traditional productions, the summer Salzburg Festival has become a destination for viewing more cutting edge stagings.
http://articles.chicagotribune.com/2010-12-25/entertainment/ct-ae-1226-chicagoan-classical-20101225_1_riccardo-muti-cso-classical-music
http://www.independent.co.uk/arts-entertainment/classical/features/franz-liszt-a-romantic-remembered-2170152.html
http://www.guardian.co.uk/music/2010/dec/23/cecilia-bartoli-mezzo-soprano
http://online.wsj.com/article/SB10001424052748703886904576031520757784258.html?mod=WSJ_ArtsEnt_LifestyleArtEnt_4
http://www.telegraph.co.uk/culture/music/opera/8216886/Die-Walkure-La-Scala-Milan-review.html
No one could accuse the Paris Opera of pinching pennies (or Euro cents) in their lavishly expansive (and expensive) staging of Hindemith’ Mathis der Maler.
http://likelyimpossibilities.blogspot.com/2010/12/il-postino-youve-got-mail.html
http://www.guardian.co.uk/music/2011/jan/12/daniel-kramer-carmen
The Royal Opera at Covent Garden just made something of a splash in international opera news with a star-encrusted revival of an opera once quite popular and yet in recent years — Francesco Cilea’s Adriana Lecouvreur.
http://boulezian.blogspot.com/2010/12/owing-world-tannhauser.html
http://www.nytimes.com/2011/01/01/arts/music/01lincoln.html
http://www.smh.com.au/entertainment/music/ghost-opera--a-chinese-home-20110113-19pwy.html
http://www.nytimes.com/2010/12/20/arts/music/20pelleas.html
Since he first came to notice a few years ago — in Messiah in this very hall, as Creonte at Covent Garden, and as Arsace in Partenope at New York City Opera, to name by a few recently acclaimed performances — many a starry accolade has been heaped upon young Welsh countertenor, Iestyn Davies: “achingly beautiful tone”,“unforgettable focus and poignancy” and “compelling sense of rhetoric” are typical of the bountiful superlatives.
Appearing on Palm Beach Opera’ website video player General Director
Daniel Biaggi points out among the reasons to attend the first show of the
company’ 2010-2011 season, “fantastic artists whose voices will
blow you away.”
http://www.ft.com/cms/s/2/d0d79eb0-0deb-11e0-86e9-00144feabdc0.html#axzz19KKEN9Vc
The Royal Opera at Covent Garden has hit on a way to revitalize a vintage production — hire a fresh cast of virtually unknown singers.
La Fanciulla del West is Puccini’ love letter to an America that had acclaimed him joyously on his triumphant visit of 1907 to attend the Met premieres of Manon Lescaut and Madama Butterfly.
New recordings of classical music don’t appear from the “big labels” very often these days, but those companies have enormous libraries from which to extract selections for compilation discs.
A recent news report on entertainment technology noted that sales of “regular” DVDs had plummeted in recent years, while the newer Blu-Ray format has seen substantial increases.
http://www.therestisnoise.com/2011/01/music-at-the-morgan.html
The Scenery and Props departments of Utah Opera have many secrets, but few are as fun as the Utah Opera alligator. Have you seen it on stage before? The alligator works its way into every Opera production, camouflaged into the set, props, and sometimes even costumes!
Here's where the alligator showed ...
Happy Birthday to child prodigy, opera genius, and Classical composer-du-jour, Wolfgang Amadeus Mozart! Mozart composed more than 600 works in his 30 active years (he didn't start composing until the age of 5.) This number includes 68 symphonic works, 54 concertos, 18 masses, and 23 operas! Mozart was, by all ...
The Costume Shop is busy building the costumes for our upcoming production of Little Women. Our Costume Designer, Sue, had some great ideas when designing the costumes that we'll share with you in an upcoming video, but in the meantime, here's the first look at one of Jo's dresses.
Happy Birthday to César Cui who was born January 18, 1835. What? You've never heard of César Cui? That is not so surprising.
In the 1850-60's in Russia, there was a renewed interest in Russian nationalism, and this included establishing a Russian school of music that would not be influenced by ...