La Fille du Regiment, Royal Opera
Updated: 2012-05-31 17:22:23
The regiment marches onwards!
The regiment marches onwards!
http://www.operatoday.com/content/2012/05/thunder_storm_a.php
Massenet’ Manon succeeds in the theater when the soprano has
a real sense of the role and how she wants to present it.
The Lyric Opera of Chicago announced their financial figures in their annual report and “balanced its budget” for the 2011-2012 season, according to general director Anthony Freud.
http://www.operatoday.com/content/2012/04/christopher_koe.php
http://www.operatoday.com/content/2012/05/torsten_kerl_to.php
The Met saved the best of the season for the end of it, revivals of their first-rate productions of two twentieth-century masterpieces, Jánaček’ Makropoulos Case and Britten’ Billy Budd.
In this, the second of two LSO concerts in which Péter Eötvös replaced
Pierre Boulez, one continued to feel the loss of the latter in his repertoire,
yet one equally continued to value his replacement, very much his own
man.
http://www.operatoday.com/content/2012/05/lyric_opera_pos.php
Lyric Opera of Chicago has begun with the current season’s production of Show Boat a series of musicals of the American theater to be featured in coming years.
Christopher Koelsch has been tapped Wednesday as the new president and chief executive officer of the Los Angeles Opera. Koelsch, 41, was the opera’s chief financial officer and will take the new post September 15.
Iestyn Davies’Wigmore Hall recital, ‘istory Repeating’ may have explored various composers’engagement with, and reinterpretation and reinvigoration of, music of the past, but Davies himself is very much the countertenor of the moment, and undoubtedly an exciting and fulfilling future lies ahead.
http://www.operatoday.com/content/2012/04/chinese_conduct.php
Yannis Kokkos originally directed and designed Tristan und Isolde as a co-production for Welsh National Opera and Scottish Opera nearly 20 years ago. The production’s latest revival, directed by Peter Watson, was premiered at the Wales Millennium Centre on 19 May 2012.
An energetic and exceptionally entertaining production of Così fan tutte sung in English and set during World War II, when the Americans often got the girls.
http://www.operatoday.com/content/2012/05/more_delays_for.php
Originally released on multiple discs in 1981 this reissue on two CDs is a comprehensive collection of art songs by Italian and French composers from the nineteenth and early twentieth centuries.
Manitoba Opera laid aside all stereotypes about opera being stuffy and inaccessible with its feel-good production of Donizetti’ 1840 comic opera Daughter of the Regiment.
The unfashionableness of Der Freischütz in England is a little baffling. In its day, not only was the opera celebrated across Germany, it soon conquered other European stages and indeed theatres worldwide.
http://www.operatoday.com/content/2012/04/cologne_opera_t.php
Pierre Augustin Caron de Beaumarchais’ classic play The Barber of
Seville, set by Rossini to perfectly paced and irresistibly comic music,
was first performed in Rome in 1816, and remains one of the world’s favorite
operas.
Véronique Gens’s recital at the Wigmore Hall, London, was an almost ideal distillation of the belle époque in song.
When the ENO does really innovative work, it does so with style. Wolfgang Rihm’ Jakob Lenz may have taken 34 years to reach London fully staged, but this ENO production made such a strong impression that it might be years before it will be forgotten.
http://www.operatoday.com/content/2012/04/uwe_eric_laufen.php
Glyndebourne’ 2012 season started in great style with Leoš Janáček’ The Cunning Little Vixen. Its rapturous reception would suggest that this could become a Glyndebourne perennial.
An exciting contribution to the discography of this popular opera, the live performance of Richard Strauss’s Salome from the Festspielhaus at Baden-Baden is a compelling DVD.
It is Manon month in the Mid-Atlantic states. In New York, the Met is presenting Massanet’s take, while Opera Company of Philadelphia has just opened Puccini’s version: his first successful opera, Manon Lescaut.
The Chinese conductor and pianist Xu Zhong will be the new artistic director
of an Italian opera house, the Teatro Massimo Bellini in Catania.
http://www.operatoday.com/content/2012/04/ignacio_garcia-.php
Any performance of Philip Glass’ epic Einstein on the Beach (1976) is a major event. The work’s duration is around five hours and it is directed to be performed without interval (although see below — we had one).
A robust Mimì and a self-regarding Rodolfo impart a distinctive flavour to this full-throttled version of John Copley’s evergreen La bohème.
The double bill of Zemlinsky’s A Florentine Tragedy with
Puccini’s Gianni Schicchi, currently being presented by the Canadian Opera Company, is a marriage made in heaven, a pair of complementary opposites who seem to belong together.
You never can tell. I would never have predicted which opera would be my favourite of the seven operas programmed this season by the Canadian Opera Company.
I have to rethink my week, because somehow I have to get to see Opera Atelier’s production of Jean-Baptiste Lully’s Armide again.
This year’s Kathleen Ferrier Awards final was both a competition and a
celebration, marking as it did the centenary anniversary of the great singer’s birth.
http://www.operatoday.com/content/2012/04/denoke_bows_out.php
The final Beethoven symphony means the final Where's Beethoven contest. But don't worry - we're sure that Beethoven will find more time to explore Utah with us. Let us know where Beethoven is by noon on Thursday - a random winner will receive tickets to this weekend's season finale, Beethoven ...
Beethoven's taking advantage of the great weather to get outside!
Let us know in the comments where you think Beethoven is. Comment before Thursday the 17th at noon and be entered to win a pair of tickets to this weekend's performance, Brahms' Piano Concerto No. 1, with Beethoven's Symphony No. 2.